New York Film Festival: Jacqueline Lentzou’s slim but remarkable second feature reminds us that movies can be anything.

When his missing son reemerges, an AI-powered synthetic super-being (played by Paul Bettany) suffers an existential crisis in another Marvel series that, despite dedicating eight hours to identifying its Vision, struggles to justify its existence.

The TIFF opener features Ruth Madeley in a star-making performance as the indelible disability rights activist Judy Heumann.

The once and future Avenger tells IndieWire about going bald to play a religious father battling the state in "Fjord."

From Venice to Telluride, TIFF to NYFF, this year's fall season has introduced (and, in some cases, re introduced) us to some ferocious talents we cannot wait to see more of, and soon.

A viral trailer attached to Christopher Nolan’s "The Odyssey" turned Jessica Chastain into a popular horror meme months before Blumhouse’s latest film earned a D+ CinemaScore in theaters.

Like "One Battle After Another" and "Bugonia," Alejandro G. Iñárritu's latest provocation was shot in the format Alfred Hitchcock favored. If you're lucky enough to live in one of the five cities screening it in VistaVision, you owe it to yourself and "Digger" to experience it that way while you still can.

Tarantino will write the script and direct a film inspired by "the grand swashbuckling epics of stage and screen."

The self-distributed film has been condemned by the IDF, earned rave reviews, and seems poised to be an Oscar contender.

Bad reviews, David Fincher's decision not to return, and a story about algorithms, not AI, are partly to blame.

"Wildwood" is the antidote to all of the worst trends in mainstream animation, but it gets lost somewhere in the wilderness between reality and imagination.

The rebranded Easterseals Disability Arts & Culture Awards saw "The Pitt" and "Take Me Home" among the winners of its inaugural outing.